gentlemans pistols

Playlist: September 2015

W.A.S.P., “Scream” (2015)

After six tumultuous years for Blackie Lawless (if the monthly feature on his website is anything to go by), the long-promised and long-awaited fifteenth W.A.S.P. album, Golgotha, is out on October 2nd – a very busy day for yours truly, as it turns out, with Clutch, Queensÿche, Eagles of Death Metal, the Winery Dogs and Federal Charm all dropping new records as well. Based on the strengths of this song alone, though, W.A.S.P. might be the one I’m looking forward to the most. It’s the typical W.A.S.P. formula, but if I had a formula this good I’d never break from it either. Loud, passionate, gutsy and insanely catchy.

More than a few commenters have pointed out its similarities to “Crazy“, the opening track from previous album Babylon, and I have to agree to some extent – they’re really very much alike, right down to the chorus lines: “scream if you love me” and “you’d have to be crazy to say that you love me”. I’d say “Scream” is a little better, though, if only for a better chorus and that infectious guitar figure between the lyrics in the verses.

LYNYRD SKYNYRD, “Saturday Night Special” (1975)

I’m going to tell you a little secret here: I first became aware of this song through the Armored Saint version which is, to put it lightly, a bit more gung-ho than the original. It’s also given me a newfound appreciation for Lynyrd Skynyrd, a band I’ve never really had much time for before, which is weird for a couple of reason: one, I’ve been reading Saving Country Music for over a year now, despite still not having much of a vested interest in the genre; two, I really enjoyed the new Blackberry Smoke album and they’ve been referred to as “the new Lynyrd Skynyrd” in the past; and three, Skynyrd’s music is surprisingly heavy. Even “Simple Man” has those crushing chords that border on, I don’t know, some sort of Southern metal – and of course, there’s “Free Bird” with its relentless, immortal solo.

This has to be a favourite of mine, though, with a bit more of a kick to its riff than their usual fare. Oddly enough, too, the “new” Lynyrd Skynyrd released a song a few years ago called “God & Guns” which seems to contradict the anti-firearm message of this song, though frontman Johnny van Zant (brother of their late vocalist Ronnie – funny, I always figured the latter was the former’s father) has explained that the song is actually not so – kind of. I don’t think the issue really needs any explanation, honestly, given that Johnny and Ronnie were and are different people. In fact even Johnny isn’t all that pro-gun by his own admission, though he does keep a few.

GENTLEMANS PISTOLS, “The Searcher” (2015)

I put Gentlemans Pistols’ new album, Hustler’s Row, in my Top Ten Anticipated Albums of 2015 list a little while back, and now we’ve had the lead single and opening track “The Searcher”, which Setlist.fm tells me the band have been playing for a good two years now (along with most of the songs from the new record). I wouldn’t have pegged it as an opening track, to be honest, but I’m not sure why. Maybe there’s just something I heard in their other openers “Just a Fraction” and “Living in Sin Again” that I’m not quite hearing here, or maybe it’s because the song as a whole took a little while to grow on me.

Make no mistake, though, it is growing on me – the riff is classic Gentlemans Pistols, and it’s good to hear James Atkinson’s wonderful vocals haven’t changed a jot, even if they sound a little buried by the guitars here. Still, it’s warm, joyous and raucous, and everything good timeless rock and roll should be. Meanwhile a couple of the morons in the YouTube comments can’t quite believe that their metal label Nuclear Blast has been invaded by something with comprehensible vocals, which is always funny to read.

EAGLES OF DEATH METAL, “Complexity” (2015)

And here’s where I have a little bit of a moan. The new Eagles of Death Metal album, Zipper Down, is out very soon, and it’s their first album in seven years. This is the first single from the album, “Complexity”, and if you’re a loyal reader of these playlists you might be having déjà vu right now. That’s because I mentioned the song months ago in my April playlist as a Boots Electric song, Boots Electric being the solo moniker for EODM frontman Jesse Hughes and the song being the lead track from his 2011 record Honkey Kong. I’m allowed to be disappointed by this, aren’t I? Especially as the track listing for the new record seems to suggest we’re getting a mere thirty-five minutes of music, one song being a cover and at least three others being reworkings from a four year old album.

Okay, so it’s difficult to really get truly angry about any of this. The song is still maddeningly catchy, and there are some minor changes made to the music: the electro-rock gloss has been stripped away, replaced with the candied scuzz-rock stomp EODM do so well, with an additional verse slipped in, while the instrumental outro that ended the original on a bit of a flat note has been capped with a repeat of the chorus, making for a more satisfying listen. In a way, too, it’s good that this is finding a wider audience as an EODM song, rather than fading into obscurity as it was probably destined to do as a Boots Electric number.

But I have one question: if they were always going to rework some of Jesse Hughes’s solo stuff, couldn’t they have at least considered tackling “Trippy Blob“?

JUDAS PRIEST, “A Touch of Evil” (1990)

September 3rd marked the 25th anniversary of Judas Priest’s Painkiller, the album that brought them back from the brink of irrelevance with a supercharged aggressive speed metal sound (which, in fairness, they’d already been hedging towards on previous release, 1988’s Ram It Down). It’s known as a fast and heavy album, but what’s probably not as well realised is just how dark it gets. Take “A Touch of Evil”, a high point on an already rock-solid set. Priest have always had a high sense of drama in their music, and here the sense of theatricality is elevated to magnificent heights with Don Airey’s swirling, creeping keyboards.

Lyrically it doesn’t stray too far from the Priest mold of kinky loving, but the words take on a much more ominous meaning when matched up with that marching groove and those wonderfully Gothic chords. The words “death approaches” leap to mind, probably because I have a strong image of listening to this song in my sixth form study room back in 2011 while reading The Girl Who Played with Fire and worrying about my own mortality. Don’t ask. Listen instead.

SCORPIONS, “In Trance” (1975)

Another anniversary inclusion, funnily enough falling on my 23rd birthday, so I had two things to celebrate that day. Lucky me, I guess. Scorpions’ In Trance turned 40 on September 17th, making 2015 the 50th anniversary of the band’s formation, the 40th anniversary of this album, the 30th anniversary of World Wide Live, the 25th anniversary of Crazy World, the 20th anniversary of Live Bites, the 10th anniversary of Moment of Glory, the 5th anniversary of Sting in the Tail and the 0th anniversary of Return to Forever. I might be a touch obsessed with anniversaries.

Anyway, this is the title track from that album and is often cited as one of the best songs Scorpions ever recorded, if not the best. I’m not so sure I’d agree completely. It’s certainly got one of the best choruses of any Scorpions song, right up there with “Rock You Like a Hurricane“, but the rest of the song is a little too reminiscent of their early psychedelic sound for me. In fairness they were moving away from that sound with songs like “Robot Man” and “Dark Lady“, and the moodier passages do build a nice atmosphere for the chorus to erupt from. The album artwork is also worth noting as being somewhat notorious, back in its day at least, for showing the cover model’s bare breast, a controversy that seems oddly quaint given their next bold choice of album art – and besides, would you expect anything less from the band whose biggest hit features the line “the bitch is hungry, she needs to tell / so give her inches and feed her well”?

Please also enjoy some complimentary naked ladies staring at you in blurry black-and-white, as provided by the video. I don’t get the concept myself. Are they entranced? Are they trying to entrance you? Who knows.

REVEREND AND THE MAKERS, “Black Widow” (2015)

I’ve been a Reverend and the Makers fan since “Heavyweight Champion of the World” first hit the radio and even I was surprised at the announcement of new album, Mirrors, even though it’s been nearly two years since the last one came out. With that album, ThirtyTwo, I kinda got the impression they were spinning on their wheels a little bit, eager to push themselves forward but unsure of where to go, and on the merits of “Black Widow” (and the other couple of free downloads you got with the Pledgemusic pre-order) they seem to have found a new direction: throwback psychedelic rock, a little like their second album A French Kiss in the Chaos but without any trace of the funk elements that made their name (which that album still tried to maintain to some degree).

In other words, they’ve completely overhauled their sound for their second decade of activity, and on the basis of this song I kinda dig it. It’d have been nice for them to come up with a more substantial hook, but the impression I get from this new album is that it’s going to be more of an atmospheric, immersive experience, rather than the big ol’ bag of songs The State of Things was, so it might be best judging it in context of the whole record.

BILL WARD, “Bombers (Can Open Bomb Bays)” (1990)

Have you guys ever checked out Black Sabbath drummer Bill Ward’s solo career? It’s probably the most interesting stuff put out by any of the original four members. I checked out his most recent album, Accountable Beasts, and it’s really experimental stuff, with elements of Gothic and classical music interwoven into some truly heavy metal. Ward isn’t the strongest of vocalists but I always enjoyed his singing on Sabbath’s “It’s Alright” and “Swinging the Chain“, and even on his newer stuff there’s a charming genuineness, like he’s putting everything he has into it.

Maybe it was best, though, that he handed the mike to old bandmate Ozzy on this tune from his first solo album, Ward One, because Mr Osbourne’s sinister tone really helps to sell the menace of the music in a way I’m not sure Ward’s voice could. And yet for a song about war it’s surprisingly hopeful, and don’t say you don’t well up a little inside at the simple beauty of lyrics like “don’t hurt them, just hold them, make someone happy” when set to those chords. Just lovely. As for the music, well, it’s just unmitigated awesomeness.

FEDERAL CHARM, “Hercules” (2015)

You know, I’d forgotten how much I loved these guys. A blues-rock band from Manchester, they released their first album back in 2013, which I’m not ashamed to say I bought solely on the strength of the band name. Federal Charm: sounds like a vintage whiskey, doesn’t it? The album actually didn’t do much for me at first, but I gave it another listen a while later and something just clicked, and it’s easily one of my favourite albums released that year. They’ve got another one now, Across the Divide, coming in October, and “Hercules” is the lead single.

It only struck me after a couple of listens just how simple this song is, and yet the repeated ideas never get old somehow. The riff is ridiculous in how catchy it is, the groove is smoking hot, and all in all it’s just a good old jagged, danceable blues stomp. You know, one of those. I still haven’t figured out what “so hot, she’s Hercules” means, either, and I’m not even sure I care. As far as I’m concerned this is a great primer for the new album.

BLACK SABBATH, “End of the Beginning” (2013)

“Is this the end of the beginning, or the beginning of the end?” Well, as if it was ever really going to be the former. Yes, after several mentions here and there from the band, Black Sabbath have finally announced their farewell tour for 2016. Now, if you know anything about “farewell tours” you’ll know they tend not to stick. KISS went on a farewell run at the turn of the millennium and they’re still packing stadiums. Scorpions spent three years on the road “retiring” before doing an about-face and calling the whole thing off. Even Ozzy went on at least one of those in the Nineties, and I’m pretty sure this isn’t Sabbath’s first farewell either. That said, the three band members left (Bill, we’re all rooting for your return, buddy) have a combined age of 199, and given Tony’s still tenuous cancer status maybe it’s best that this really be the end.

I’m not sure how long the tour will last – I mean, Mötley Crüe have been trotting out their farewell bash for two years now, and that’s with a contract over their head legally prohibiting them from playing together again after the tour’s over. There also doesn’t seem to be any mention of that mooted final album either, though to be honest I always found that prospect a little unlikely, given that a good chunk of 13 was clearly written as a send-off to their career. Still, it’s a shame to see one of my favourite bands finally hang up their hats, even if I’d only been following them since 2009 (hey, sue me for being born late, why don’t you?). The good news is that Rival Sons will be supporting them on at least one leg of this tour, which should expose them to the larger audience they deserve.

Albums I’m Looking Forward To in 2015 (Part 2 of 1)

Right. So, brief update before we get started: there’s another Playlist coming on Monday with some newer songs, as opposed to last month’s Eightes Metal Binge edition, and I’m hoping to get the pop and rock single reviews back in action sometime in August as well, with possibly a playlist of songs I missed out on while I was writing this dissertation of mine – you know, “Bad Blood”, “Cheerleader”, “Want to Want Me”, stuff like that. I’ve also got a few ideas rattling around for some new features I can work on, as well as new editions of Cover-parisons (jeez, one year on and that name is still a howler) and Second Spin. As for the Red Dwarf reviews? They’ll arrive when they arrive, I keep telling myself, but with series 11 and 12 coming up in 2016 and 2017 respectively it might be worth me revisiting that philosophy.

One thing that has become apparent to me, though, is the sheer groundswell of new albums arriving in the second half of 2015. Seriously, there’s a whole load of them, a lot coming out on the same day (21st August, in particular, is a very busy day for yours truly, with new LPs from The Strypes, Buckcherry, The Sword and Kadavar all seeing release at once). I did say last year that there wasn’t much point in me reviewing albums because, well, reasons explained here, but as I’m so excited about these new releases coming out I might actually have to find a method of talking about them that gives my informed, honest opinions in an informal manner without feigning any sort of critical authority. G’luck with that, right?

So to get ready for that potential swell I decided to come with this, a list of albums I’m looking forward to in the second half of 2015. There’s a bunch of them as well, but I’m keeping it to ten because it’s a nice, round number. As for the 2 of 1 part up there, that’s a reference to the fact that there really should have been another of these earlier in the year; and in fact, at one point, I think there was. So this is a part 2 despite there only being one of them. But what can you do? Go back in a time machine and make me write the first part? I’d like to see you try.

No, really, I would. That would just be impressive.

Note: though it should be fairly obvious, just to cover my back I’d like to point out that I don’t hold copyright on any of the images in this post – only the words are mine. I use the imagery purely for noncommercial, illustrative purposes. To make the post look a bit nicer, basically.

1. Megadeth, TBA (expected late 2015/early 2016)

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Image “borrowed” from Blabbermouth.

This is a no-brainer. Megadeth are one of my favourite metal bands of all time, so almost anything they put out is an instant purchase for me. The more melodic hard rock sound of their last album, 2013’s Super Collider, received what could kindly be called a mixed reception from fans and critics, and while it took a while to grow on me I ended up really enjoying it in the end. That might be because when I got into them their new album out at the time was Th1rt3en, which had a greater focus on melody and cohesive songs rather than the aggressive technical thrash they’re best known for.

They’ve apparently gone back to that aggression for the new record, and while I’m quite glad to hear that I do hope they haven’t done a pendulum swing away from the songcraft. In my opinion Megadeth were always the best songwriters of the Big Four and it’d be a shame for them to lose sight of their strengths for the sake of appeasing a metal crowd who aren’t exactly easy to please as it is. I’m also excited to hear how new guitarist Kiko Loureiro (of Angra) and session drummer Chris Adler (of Lamb of God) add to the Megadeth sound.

Also, they’re doing a cover of Budgie’s “Melt the Ice Away.” Budgie being another of my favourite bands, I’m understandably quite psyched.

2. Vintage Trouble, 1 Hopeful Rd (released 14th August)

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Image “borrowed” from Rock ‘n’ Reel Reviews.

I don’t know if there’s a band I love for their aesthetic as much as their music as I do Vintage Trouble. The music is great enough – a blend of rock, soul, blues and classic R&B – but their look is just fantastic: that classy Forties/Fifties style that makes me want to go play L.A. Noire again. If I thought I could pull off that look I’d never wear anything else.

They released their debut record, The Bomb Shelter Sessions, back in 2011, and it was really rather good. Aside from producing music videos for all ten songs from their debut (no, seriously, even the ones that weren’t singles, and I’m not sure if they’ve even finished) and touring relentlessly with the likes of Paloma Faith and AC/DC they have been gradually working on new music, firstly with last year’s very decent Swing House Acoustic Sessions EP and now with their second album, 1 Hopeful Rd.

Strangely enough the record is set to open with “Run Like the River“, a song that’s been around since 2012 and actually first appeared on an expanded version of The Bomb Shelter Sessions. It’s a great song, don’t get me wrong, and if you like that one you’re bound to love the rest of their stuff, so maybe this is just a case of being unable to keep a good song hidden in the shadows – a bit like how the new Eagles of Death Metal album opens with a rerecorded version of a solo track the frontman released four years ago.

3. Graveyard, Innocence and Decadence (released 25th September)

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Image “borrowed” from The Obelisk.

If you haven’t been paying attention to Graveyard these past few years, you really should be. The mid-European/Scandinavian “retro-rock” scene is really ablaze right now with bands like Kadavar, Blues Pills, Horisont, Spiders, The Vintage Caravan and Witchcraft all leading the crowd for well-crafted songwriting with a classic rock vibe, and Graveyard are definitely leaders in this field of… leaders. I didn’t care much for their debut album but the follow-up, 2011’s Hisingen Blues, is up there with my favourite records of the past decade, while 2012’s Lights Out was also very good indeed.

At the time of writing no music has yet been released from forthcoming fourth record, Innocence and Decadence, so we only really have the head-bending artwork to go on for now. We do also have the track listing, which tells me that I’ll soon have a song called “Magnetic Shunk” in my music library. I can’t wait.

4. Buffalo Summer, TBA (expected mid to late 2015)

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Image “borrowed” from the Buffalo Summer website.

Countrified blues-tinged rockers Buffalo Summer released their debut self-titled album in 2013, and if I’d put together a Best Albums list for that year it almost certainly would have topped it. It’s a great album, top notch. Here, go buy yourself a copy. Go do that now. Done that? Good.

Anyway, they’ve now finished recording their second album, produced by none other than Barrett Martin (former drummer for Screaming Trees and Mad Season). Funny thing is I saw them back in October last year, when they were supporting The Treatment, and they said then the album was finished for an early 2015 release, so presumably they weren’t quite as finished as they thought they were. I recall a tweet around January or February mentioning that they were recording a cello part, so maybe they were just throwing in some spices while the broth was still simmering. Or something.

That said the band do seem to be absolutely positively finished with the record, and by all accounts it just needs a record label to distribute it through (the first album was released on their own label, Retrobution Records, and presumably they don’t want to go that route again). Now, I can only speculate, but they’re touring the UK and Europe later this year with Crobot and Scorpion Child who are both Nuclear Blast signings, and given how that label’s been snapping up promising new bands recently I wouldn’t be surprised if Buffalo Summer were brought on as well. Earache and Napalm would also be decent labels to sign to, but again until there’s an announcement made we can only speculate, and speculate I shall.

5. Diamond Head, TBA (expected late 2015)

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Image “borrowed” from Blabbermouth.

Another of my all-time favourite bands, Diamond Head were hyped for huge things back in the early Eighties but somehow never made the break through to the big time, and to date they are best known for being one of the primary influences behind Metallica and the thrash metal scene. Their most recent album, What’s in Your Head?, came out in 2007 and for a while it seemed that the band was done with releasing new music, but a post on their website back in June stated they were “midway” through writing sessions while another in July confirmed that they had started recording.

I mentioned in my last playlist that long-time frontman Nick Tart recently left the band because he wanted to make a new album but the rest of the guys didn’t, and the fact that now he’s gone they jump into album sessions still strikes me as a little strange. If I wasn’t so happy that we’re getting new Diamond Head music I’d call shenanigans. I also mentioned last time that they played some new songs at the gig I went to that month. What I didn’t mention is that they actually opened with one as well, a ballsy move for a band that, until a few months ago, had seemingly resigned themselves to a legacy act. The new songs are good, too, and much more reminiscent of their Lightning to the Nations/Borrowed Time sound than anything else they’ve done in quite some time.

So yeah, I’m hyped for this. A late 2015 release has been mentioned but, given that they’ve only been recording for a few weeks now, I imagine that could change.

6. Cheap Trick, TBA (expected mid to late 2015)

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Image “borrowed” from Billboard.

The most recent Cheap Trick album, aptly titled (at least for now) The Latest, came out in 2009. Although it lacks the harder edge of their earlier sound, I really love that album – to me it might be the best thing they’ve done since One on One, or at least Standing on the Edge. The six years that have passed since its release haven’t been without incident, the most notable and infamous of these being a legal feud between the band and drummer Bun E. Carlos, a feud that has since been resolved with Carlos’s status as an official bandmember intact despite him not touring or recording with them. The law is weird.

Anyway, a new album has been mentioned several times in those seventy-two-odd months. Robin Zander mentioned in his interview with Eddie Trunk for the latter’s podcast (which, if you have any vested interest in classic hard rock and heavy metal, you should really consider subscribing to) that the record was about half-done (this was back in February, so I assume more work has been done on it since then) and that they expected it to be released around late summer/early autumn. In fact the band’s management cancelled an appearance that had been planned for Zander on Trunk’s VH1 Classic series That Metal Show back in the spring because they wanted to reschedule and time it for around the album’s release. No news has emerged since, but given that new That Metal Show episodes are currently being optioned for “the fall”, as the Yanks put it, I choose to remain optimistic.

7. Living Colour, Shade (expected late 2015)

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Image “borrowed” from Karsten Staiger and USA Today.

Definitely one of the most underrated heavy metal bands of all time, since their reunion in the early 2000s Living Colour have only put out two new studio records: 2003’s Collideoscope, a weird record marked by one of the best, prettiest and downright darkest songs the band ever wrote, “Flying” (about the 9/11 attacks); and 2009’s The Chair in the Doorway which, though not bad at all, felt a little cold and uninspired to me in its sound.

So I’m curious to hear what they’ve come up with for their sixth studio album, Shade, which was supposed to be released last autumn but has since been pushed back to this year (and could easily be pushed back again, though they did finish recording the album some time ago so hopefully an official announcement is imminent). Living Colour were always a socially-conscious band, especially when it came to black issues, and recent events in America will no doubt have given them plenty to talk about. There are at least two covers to be expected as well: Robert Johnson’s “Preachin’ Blues” and Notorious B.I.G.’s “Who Shot Ya?”, both of which the band have been performing live for some time now.

8. Gentlemans Pistols, Hustler’s Row (expected later this year)

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Image “borrowed” from Metal Blade.

Every music fan has at least one artist or band where it seems unfathomable, almost cruel, that they don’t have a wider audience. I have a list of about eight or nine or those, and while I can’t say Gentlemans Pistols are actually at the top of that list they’re pretty freaking close. A Leeds based band who count Carcass guitarist Bill Steer among their number, they’ve only released two albums since 2007 but they’re both well worth a listen: cracking slabs of bawdy, swaggering blues-tinged rock and roll.

The band have been performing new songs live for a couple of years now and a spurt of tweeting back in January confirmed the album was about done. Now a recent press release confirms the band have signed to Nuclear Blast (after spending many years on Rise Above) for their new album Hustler’s Row, joining a healthy roster that includes Anthrax, Crobot, Death Angel, Scorpion Child, Orchid, Blues Pills and Graveyard. With the sort of profile this deal can offer them, who knows? They might just get that wider audience they deserve.

9. Iron Maiden, The Book of Souls (released 4th September)

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Image “borrowed” from Consequence of Sound.

News of a new Iron Maiden album is a bit like news about Bigfoot: even if you want to believe it you can’t really bring yourself to until the thing’s sat in front of you. Is that right? I don’t know. Point is, even a serious health scare for frontman Bruce Dickinson couldn’t fell these titans, and now we have a new Iron Maiden record stampeding towards us this September, one which is looking to be a doozy. Not only is this their longest LP, a double-album clocking in at 92 minutes, but it also features their longest song yet, “Empire of the Clouds”, a whopping eighteen minute long epic to close the album out (beating previous record holder, 1984’s “Rime of the Ancient Mariner”, by a good four-and-a-half minutes). That’s a lot of new Iron Maiden to digest and I personally cannot wait.

(Also, am I the only person who’s noticed that they’ve brought back the “classic” font with the pointed R, Ns and M for the album cover? That would make The Book of Souls the first studio album to feature it since The X Factor back in 1995. I think that’s pretty cool.)

10. Queensrÿche, Condition Hüman/Operation: Mindcrime, The Key (released 2nd October and 18th September respectively)

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Image “borrowed” from Bravewords.

This is a two-fer. Queensrÿche’s self-titled 2013 album, the first with new frontman Todd La Torre, was a good album in many ways – “In This Light” possibly being one of my all-time favourite Rÿche songs, it’s that good – but its kinda-rushed delivery (in the context of a legal battle with former frontman Geoff Tate over the band name) and relatively brief running time made it feel more like a primer for greater things to come. Now that La Torre is fully bedded into the band mechanic those greater things are beginning to surface. Condition Hüman, the band’s fourteenth studio album (fifteenth if you count Frequency Unknown, which I’m sure many Rÿche fans would rather not) is set to be released 2nd October, while new song and album opener “Arrow of Time” can be streamed here, and it’s very good indeed.

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Image “borrowed” from Music Enthusiast.

On the other hand, Tate has been working on a trilogy of records with his new project, Operation: Mindcrime (named after the classic Queensrÿche album), the first part of which, The Key, is set to be released 18th September. It’s a conceptual piece with what so far sounds like a pretty intriguing story, while an official teaser (see below) released to YouTube a while back suggests a heavier, more progressive sound than the material Tate was making with Queensrÿche shortly before he was fired. Though it’s had, to put it kindly, a mixed reaction on YouTube, I’m actually digging some of the stuff in that teaser. It’s certainly closer to the classic Queensrÿche sound than anything they put out with Tate in the last twenty years or so.

Obviously the close proximity of these two released will probably have some people trying to make some sort of contest out of it all. For the rest of us there are two promising sounding prog-metal albums coming our way this autumn.