Pop Song Review: Demi Lovato, “Cool for the Summer”

I can’t speak for the rest of the world, but in terms of British weather this has to go down as one of the weirder summers of recent memory. I expected to be paralysed by August heat and yet I spent most of the month with my nose pressed to the window watching the rain. But anyway, enough about my sad life. Today’s pop song review is “Cool for the Summer” by Demi Lovato.

First impressions: My gut is telling me that I should dislike this song intensely, and yet I don’t. What could it be? The bizarre vocal inflections in the verses? The aggressive synths in the chorus? The fact that Ms Lovato looks really rather fine in that outfit? Could be anything, I suppose.

The music: I don’t think I’ve actually enjoyed a Demi Lovato song since “La La Land” back in 2008, and I especially don’t like that she’s jumped on the EDM bandwagon when her earlier guitar pop sound was far more interesting, but “Cool for the Summer” is easily among the better efforts she’s put out recently.

The song takes, for the most part, a very typical dance-pop route from a performer not exactly known for stretching the envelope, even for former Disney wunderkind, but in a lot of ways, though, it’s also quite atypical. It starts out generically enough with the piano line establishing the motif before we sink into a plastic, sticky clomp of a beat with a very faint New Wave influence in the moody synths. With atmosphere and the beat established it’s up to the melody to carry the actual “music” quotient, and it’s here where the song starts taking a couple of intriguing turns. The way Lovato intones the words in that breathy voice… okay, it’s not exactly original, but it’s different enough to make an effect on me, especially that strange way she flattens the note at the end of each line.

Then we get to the bridge, which drops the beat briefly as the melody repeats the motif, eventually crashing right into the chorus where that same motif is transformed into an explosive, abrasive synth riff that borders on being some sort of dance metal (and don’t laugh – tell me you couldn’t headbang to that chorus) – and I really like it. Seriously, as out-of-place as it is with those verses, I do like it. In fact, maybe that’s why I like it, the fact that it’s just so odd for a song like this. I mean, name another song this summer that just goes for it in the chorus the same way this song does. I even like the second part of the chorus where the music mellows out a bit and Lovato cries out the melody the way she does. It’s catchy, it’s different, it’s… it’s downright likeable.

Let’s not get ahead of ourselves here, though. I may have praised this song for taking a few more risks than others in its genre, but it almost certainly wasn’t written with that in mind. The likelihood is that this song was churned out, just the way all EDM pop songs are, to fill dancefloors, executive wallets and the heads of exhausted parents whose kids insist on playing Capital FM in the car on their drives to the beach. But there is enough going for “Cool for the Summer” that makes it stand out from the pack in my opinion, and if it weren’t for the fact that it’s nearly September I could easily see myself listening to this more often.

Mind you, summer doesn’t officially end until the autumn equinox on September 23rd, so this song’s still good for another month or so if you choose to see it that way.

The lyrics: I just realised that Demi Lovato is only a month older than me. That’s weird. That’s pretty weird, guys. I could’ve sworn she was about 26 or 27, which admittedly isn’t that much older than 23, but still, that means I was about 16 when she first broke out. I’m getting old. Bones are creaking, the hair’s getting all grey and wispy, it’s taking longer than ever for me to complete a sudoku, and I can’t shake the feeling that it’s all downhill from here. We make our own ghosts, people, and mine is slowly taking its ghoulish shape, reminding me of who I am and how fragile it all really is, this strange obligation we call existence. There’s nowhere to run to, either, and nowhere to hide when the thing you’re running from, the thing you’re trying to escape, is the very thing you’re so desperate to hang on to: yourself. It makes you think.

…Hm? The lyrics? Oh, they’re about love or something.

“Got my mind on your body and your body on my mind / Got a taste for the cherry, I just need to take a bite.” The cherry… hm. Okay, I know what the traditional metaphorical meaning of “the cherry” is, but what’s it alluding to in this lyric? If we’re talking about sexual temptation then surely “the apple” would have been a better choice of imagery. You could’ve gone with “the peaches” as well – you know, in the Stranglers sense – but I don’t think she swings that way. Unless she does and the other, traditional meaning is what she’s talking about, in which case, for the love of all that’s good and pure, Ms Lovato, reconsider the biting part of your plan.

“Take me down into your paradise / Don’t be scared ’cause I’m your body type.” Down into paradise? Wrong direction, surely, unless Lovato is also coming out as a Satanist (which, let’s be honest, is probably the crux of at least a couple of conspiracy theory websites out there). Also, I have a body type now, it seems, and if Lovato is anybody to go by my type is apparently “physically fit and highly appealing.” That’s, ah, that’s probably a few peoples’ body type, come to think of it. I’m beginning to think this song isn’t addressing me personally.

“Don’t tell your mother / Kiss one another / Die for each other / We’re cool for the summer.” It’s like Romeo and Juliet summarised in one pop song lyric. Well, the first three parts, anyway, unless there was an epilogue where Friar Laurence discussed his holiday plans.

Also, curious phrase, that, when you think about it. “Cool for the summer.” Does she mean a bodily coolness or an acceptance/preparedness of the situation? You know, when you’re cool about something, like you’re not massively fussed about it but you dig it nonetheless? A little like me and this song, actually. Wait, does that mean I’m cool for “Cool for the Summer”?

Verdict: I really don’t mind “Cool for the Summer” too much. I mean, sure, there’s nothing great about it exactly, but if you had to go with one EDM-pop song to soundtrack your summer this was about as good as it got. 3 out of 5.

Today’s double-up is “Summer’s Almost Gone” by The Doors, because this is the end, beautiful friend, this is the end, my only friend, the end. Of summer.

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