Well, as fascinating as these Eurovision reviews have been it’s nice to pop into the Western monoculture every now and then to see what I’m supposed to be paying attention to this week. With that said, today’s pop song review is “See You Again” by Wiz Khalifa featuring Charlie Puth.
First impressions: So is this supposed to be a tribute to someone? I feel as though they’re holding back on me there.
/freaking obvious sarcasm
The music: First of all, let’s get this out of the way: yes, this song obviously has a greater emotional context to it due to its association with Furious 7 and the tragic death of lead actor Paul Walker in November 2013. That is something that is still deeply saddening and it’s actually pretty inspiring that it still sends emotional ripples through popular culture to this day. Even if he never got his chance to truly shine, I think it’s great that we can celebrate what he did offer us in his too-brief time on this planet.
That said, screw this song.
Look, it’s an unpopular opinion for sure, and I don’t expect any martyr cred for this one, but someone somewhere had to be the git to point out that this is just not a very good song at all. I get that an up-tempo, all-pistons-blazing hard rocker would have been an insensitive tribute considering the circumstances of Walker’s death but… honestly, could we not have had something with a little more, I don’t know, passion put into it?
I mean, meet me halfway here: context aside, what am I actually supposed to like about this song? The melody is predictable and yet utterly forgettable: you know what’s coming but you somehow don’t know anymore once it’s actually been and gone, which is to say that this melody actively removes information from your brain. If it strayed any further from its perfect cadence it might get the variation it needs to be somewhat memorable, but nope – as soon as it’s out it just races back to that fifth before I can get too interested. Puth’s voice is technically strong but undeniably bland while Khalifa’s delivery is his usual disinterested monotone, propped up in the verses by a skipping beat and the pre-chorus by those butt-ugly synths. And then it all drops for that chorus, just Puth and his piano, before it explodes for the ‘ah-ah-ah-oh’ bit you’ve heard in a thousand pop songs before it. Er, passionate, I guess.
(Also, do I find it a little odd that an artist whose main lyrical focus up until now has been weed and general opulence has been tasked with fronting such an emotionally-charged song? Yes. Yes I do. Thank you for asking.)
Maybe it’s because I never knew Paul Walker and have no interest in these films, but the whole thing strikes me as a little too calculated and a little too exploitative. “Oh, you’re not crying? You’re not getting the feelz? What are you, some sort of heartless monster?” Call me crass, but surely Paul Walker deserved better than a bored-sounding stoner trading vocals with a Sam Smith clone?
The lyrics: Right, I don’t want to rip on the lyrics too much because that really would be me being unnecessarily mean about this whole thing. The music is lazy but these lyrics may very well have a deep personal resonance with the subject matter… assuming they’re even about Walker.
“Damn, who knew? / All the planes we flew.” Wait, hold on, planes? When did they ever fly a plane in a Fast & Furious film? Okay, there’s my first red flag telling me that this wasn’t actually written about Walker himself but was given juuuust enough lyrical relevance to make people think it was.
“How could we not talk about family when family’s all that we got? / Everything I went through you were standing there by my side / And now you gon’ be with me for the last ride.” Okay, that’s nice. I’ll give them that.
“It’s been a long day without you, my friend / And I’ll tell you all about it when I see you again.” I want to give this line the same props, just for its admirable simplicity and emotional rawness, but I’m still having trouble shaking the feeling of disconnect I’m getting from it. Puff Daddy’s “I’ll Be Missing You” might have been mawkish but at least that tribute had some emotional weight due to the close personal relationship between the two artists. Did either Khalifa or Puth even know Paul Walker?
“First you both go out your way / “And the vibe is feeling strong.” I know I’m nitpicking here, but both? Who’s this third person Khalifa’s mentioning?
“Remember me when I’m gone.” You… do know we’re paying tribute to Walker at the moment, don’t you, Khalifa? We can plan your memorial later.
Verdict: Let me just reiterate that I in no way intended to discredit either Walker or the sentiment behind this tribute with my review. That doesn’t change the fact, though, that this is a boring, generic piano ballad with no value of its own beyond its unfortunate context. It’s brilliant that they wanted to celebrate Paul Walker’s life and work – I get that completely and I’m 100% behind that – but that doesn’t mean I have to like the way it’s been done. Frankly I think he deserved better than “See You Again” but, obviously, millions of people disagree, so who cares what I think, right? 2 out of 5.
Today’s double-up is “Say Hello 2 Heaven” by Temple of the Dog.